| Issue | Title | |
| Vol 1, No 1 (2008) | Analytical Studies in World Music. Ed. Michael Tenzer. Oxford: Oxford University Press, 2006. $29.95 paper (ISBN 0195177886). | Abstract PDF |
| Kelly Foreman | ||
| Vol 2, No 1 (2009) | Drei Nebensonnen: Forte's Linear-Motivic Analysis, Korngold's Die tote Stadt, and Schubert's Winterreise as Visions of Closure | Abstract PDF |
| Edward D. Latham | ||
| Vol 2, No 1 (2009) | Manual for Ear Training and Sight Singing, by Gary S. Karpinski. New York: W. W. Norton, 2007. (And other texts by Gary S. Karpinski.) | Abstract PDF |
| Marva Duerksen | ||
| Vol 1, No 1 (2008) | Studies in Music With Text, by David Lewin. New York: Oxford University Press, 2006. $98.00 hardcover. (ISBN 0195182081). | Abstract PDF |
| Jeannie Ma. Guerrero | ||
| Vol 2, No 1 (2009) | The Musician's Guide to Aural Skills, by Joel Phillips, Jane Piper Clendinning, and Elizabeth West Marvin. New York: W. W. Norton, 2005. | Abstract PDF |
| Brent Auerbach | ||
| Vol 1, No 1 (2008) | Author Biographies | Abstract PDF |
| Berry, Foreman, Guerrero, Hulse, John, Leong, Silver | ||
| Vol 2, No 1 (2009) | Click Here to Download All Content in a Single PDF | Abstract PDF |
| Gamut 2/1 (2009) | ||
| Vol 2, No 1 (2009) | Diversifying Music Theory | Abstract PDF |
| YouYoung Kang | ||
| Vol 2, No 1 (2009) | Diversity, Music Theory, and the Neoliberal Academy | Abstract PDF |
| Sumanth Gopinath | ||
| Vol 1, No 1 (2008) | From the Editor | Abstract PDF |
| Philip A. Ewell | ||
| Vol 2, No 1 (2009) | In and Around Music Theory and the Academy: A Perspective | Abstract PDF |
| Horace J. Maxile, Jr. | ||
| Vol 2, No 1 (2009) | Inconvenient Truths, and Changes to Believe In (Foreword to the Forum) | Abstract PDF |
| Jeannie Ma. Guerrero | ||
| Vol 2, No 1 (2009) | Masthead and Contents of the Current Issue | Abstract PDF |
| Gamut 2/1 (2009) | ||
| Vol 1, No 1 (2008) | On Bergson’s Concept of the Virtual | Abstract PDF |
| Brian Hulse | ||
| Vol 2, No 1 (2009) | On Diversity | Abstract PDF |
| Amy Cimini, Jairo Moreno | ||
| Vol 1, No 1 (2008) | Rhythm in the First Movement of Bartók's Contrasts: Performance and Analysis | Abstract PDF |
| Daphne Leong, Daniel Silver, Jennifer John | ||
| Vol 2, No 1 (2009) | Strategic Intertextuality in Three of John Lennon's Late Beatles Songs | Abstract PDF |
| Mark Spicer | ||
| Vol 2, No 1 (2009) | The Expressive Role of Rhythm and Meter in Schumann's Late Lieder | Abstract PDF |
| Harald Krebs | ||
| Vol 2, No 1 (2009) | The Musical Idea and the Basic Image in an Atonal Song and Recitation of Arnold Schoenberg | Abstract PDF |
| Jack Boss | ||
| Vol 1, No 1 (2008) | The Roles of Invariance and Analogy in the Linear Design of Stravinsky's "Musick to Heare" | Abstract PDF |
| David Carson Berry | ||
| Vol 2, No 1 (2009) | The Twin Legacies of a Scholar-Teacher: The Publications and Dissertation Advisees of Allen Forte | Abstract PDF |
| David Carson Berry | ||
| Vol 2, No 1 (2009) | Transformation in Rock Harmony: An Explanatory Strategy | Abstract PDF |
| Christopher Doll | ||
| 1 - 22 of 22 Items | ||
ISSN: 1938-6690
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