Table of Contents
| Masthead and Contents of the Current Issue |
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Gamut 2/1 (2009) |
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Articles
| Transformation in Rock Harmony: An Explanatory Strategy |
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Christopher Doll |
pp. 1-44 |
Forum: "Ethnic Diversity in Music Theory: Voices from the Field"
| Inconvenient Truths, and Changes to Believe In (Foreword to the Forum) |
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Jeannie Ma. Guerrero |
pp. 45-60 |
| Diversity, Music Theory, and the Neoliberal Academy |
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Sumanth Gopinath |
pp. 61-88 |
| Diversifying Music Theory |
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YouYoung Kang |
pp. 89-98 |
| In and Around Music Theory and the Academy: A Perspective |
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Horace J. Maxile, Jr. |
pp. 99-110 |
| On Diversity |
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Amy Cimini, Jairo Moreno |
pp. 111-196 |
A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part I), edited by David Carson Berry
| The Twin Legacies of a Scholar-Teacher: The Publications and Dissertation Advisees of Allen Forte |
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David Carson Berry |
pp. 197-222 |
| The Musical Idea and the Basic Image in an Atonal Song and Recitation of Arnold Schoenberg |
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Jack Boss |
pp. 223-266 |
| The Expressive Role of Rhythm and Meter in Schumann's Late Lieder |
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Harald Krebs |
pp. 267-298 |
| Drei Nebensonnen: Forte's Linear-Motivic Analysis, Korngold's Die tote Stadt, and Schubert's Winterreise as Visions of Closure |
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Edward D. Latham |
pp. 299-346 |
| Strategic Intertextuality in Three of John Lennon's Late Beatles Songs |
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Mark Spicer |
pp. 347-376 |
Reviews
| The Musician's Guide to Aural Skills, by Joel Phillips, Jane Piper Clendinning, and Elizabeth West Marvin. New York: W. W. Norton, 2005. |
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Brent Auerbach |
pp. 377-390 |
| Manual for Ear Training and Sight Singing, by Gary S. Karpinski. New York: W. W. Norton, 2007. (And other texts by Gary S. Karpinski.) |
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Marva Duerksen |
pp. 391-405 |
Whole Issue Download
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Gamut 2/1 (2009) |
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ISSN: 1938-6690
Copyright 2009, Newfound Press. Copying of any part of Gamut, without alteration of the text, is permitted for noncommercial use only.
Any reproduction—whether partial or complete—must include an appropriate citation.
