Finding Aid for the Gottfried Galston Music Collection and The Galston-Busoni Archive, undated
MS-1072 University of Tennessee Special Collections Library, Knoxville, TN
Encoded by: Elizabeth Dunham, August 3, 2006.
Summary Information
Gottfried Galston Music Collection and The Galston-Busoni Archive
Date/Date Range : undated
40.5 linear feet
Abstract: The Library of the University of Tennessee is most fortunate to have received the Galston-Busoni Archive and the Galston Music Collection, a unique and valuable collection of music materials. The gift from Mrs. Helen Galston Tibbe of Menlo Park, California was originally a private collection amassed by her late husband, the Austrian pianist Gottfried Galston. The collection consists of 27 boxes of manuscripts (musical and literary), letters, programs, newspaper clippings, and rare musical scores by Bach, Beethoven, Chopin, Liszt, Mozart, Brahms, to list a few.
MS-1072
University of Tennessee Special Collections Library, Knoxville, TN
Access and Use
This collection was a gift of Mrs. Helen Galston Tibbe.
Collection is open for research.
The copyright interests in this collection remain with the creator. For more information, contact the Special Collections Library.
[Identification of Item], Gottfried Galston Music Collection and The Galston-Busoni Archive, MS-1072. University of Tennessee, Knoxville, Special Collections Library.
Arrangement
Collection consists of 27 boxes divided into three series: Musical Scores; Miniature Scores; and Other Papers.
Biography / History
Gottfried Galston, born in Vienna in 1879, completed his studies under Schenner at the Vienna Conservatory at the age of fifteen and then became a pupil of Theodore Leschetizky with whom he remained for five years. Galston studied theory, counterpoint, and composition with Jadassohn and Reinecke at the Leipzig Conservatory. It was in Leipzig in 1900 that Galston made his piano debut. In 1903, he was appointed Professor at the Stern Conservatory in Berlin where he taught until 1907.
In that year he began his famous Cycle Concert, a series of five recitals devoted to the great masters Beethoven, Chopin, Liszt, Bach, and Brahms, which gave him great prominence in the performance world. At this time Galston also received significant honors, the title of Professor Extraordinary at the Imperial Conservatory in St. Petersburg and an invitation to perform at the Conservatory in Paris without the customary written application. The Conservatory cast a silver medal for him in memory of his outstanding success there; he was honored by another request performance and silver medal in 1909. Gottfried Galston concretized extensively throughout Europe, Australia, and New Zealand; he toured Russia eleven times, the last in 1926; during 1912-1913 season, he made his first appearance in the United States.
In 1927, Galston settled in St. Louis, Missouri, where he taught at the St. Louis Institute of Music. He resided in St. Louis until his death in 1950.
The Italian-born pianist, composer, and conductor, Ferruccio Benvenuto Busoni was born April 1, 1866, in Empoli, Italy. He performed as a child prodigy at the piano beginning at the age of nine, although he had not studied with any well-known teacher at that time. At the age of fifteen, he made a successful concert tour in Italy; he became a member of the Philharmonic Academy of Bologna, and at Florence a gold medal was struck in his honor. His studies in composition began with Wilhelm Meyer-Remy at Graz and continued at the Leipzig Conservatory beginning in 1886. From 1899 to 1920 he alternated extensive concert tours with teaching piano at the Helsingfors and Moscow Conservatories, giving advanced classes for pianists at Weimar, and directing the Lieceo Musicale of Bologna.
In the early 1900s, Busoni established his fame as a pianist. Although he had never heard Franz Liszt perform, Busoni was greatly influenced by the music of Liszt and performed many of his works. In 1911, he celebrated the centenary of Liszt's birth with a remarkable series of six Liszt recitals. Busoni's lifelong devotion to Liszt might be considered merely the admiration of the virtuoso pianist for his famous predecessor, but it was probably more than that since Liszt was clearly a great influence on Busoni's compositions as well. In the manner of Liszt, Busoni composed a number of transcriptions for solo piano in a virtuoso, bravura style.
For much of his life, Busoni made Berlin the center of his European concert tours. There he not only appeared as a virtuoso at the piano, but conducted orchestral concerts in which he introduced many contemporary compositions. After a sojourn in America, where he taught at the New England Conservatory, and a self-imposed exile in Switzerland during World War I, Busoni returned to Berlin in the autumn of 1920. At this time, Busoni was finally accepted as a composer of merit and was appointed to a chair composition at the Academy of the Arts. In these last years his health rarely allowed him to perform in public, but he continued to devote himself to composing.
Busoni was an intellectual who wrote his own opera libretti as well as essays on the philosophy and aesthetics of music; he was a virtuoso pianist who possessed impressive technical skill; he was a conductor who supported the new composers of his day by programming unknown works; he was a composer of a wide range of works for piano, voice, orchestra, organ, chamber ensembles, and the stage.
(Excerpt from Pauline Shaw Bayne's book: The Gottfried Galston Music Collection and the Galston-Busoni Archive )
Collection Scope and Content Note
The two pianists, Ferruccio Busoni and Gottfried Galston, encountered each other many times during their concert careers and formed a mentor-protégé relationship. Galston lived in Berlin from 1921 to 1927; Busoni returned there in 1920 and stayed until his death in 1924. During this four-year period, the two had a chance to cement their friendship to the point that Galston made almost daily visits to Busoni during the illness of his last year. These years of communication between the two men, dating from around 1900 until 1924, are documented in their correspondence, their dedication of compositions to each other, and the collection of Busoni memorabilia which Galston gathered together though the years.
The Galston-Busoni Archive includes manuscripts (musical and literary), letters, photographs, programs, newspaper clippings, and other items of memorabilia documenting the lives and careers of both Gottfried Galston and Ferruccio Busoni. These materials were collected by Galston and cover a period from 1897 to 1927. Included in the Busoni memorabilia are sixteen musical manuscripts and four literary manuscripts, as well as an extensive collection of letters and photographs. Some items in the collection of Galston memorabilia are truly unusual, such as the two silver medals awarded to Galston for his performances at the Paris Conservatory in 1907 and 1909, and the plaster casts of the hands of four pianists-Anton Rubenstein, Frederic Chopin, Ferruccio Busoni, and Gottfried Galston. Other items of significance to students of piano and music history are the Studienbuch, Galston's musical and literary record of his five historical programs of Bach, Beethoven, Liszt, Brahms, and Chopin, and his manuscript edition of 140 of Johann Sebastian Bach's works, called Helen Galston's Klavierbuchlein. Prepared during last years of his life, this work represents the culmination of Galston's lifelong devotion to the music of Bach.
The Galston Music Collection consists of about 1500 scores for piano (including some for two pianos and piano with orchestra), plus 102 miniature scores and thirty-one books on musical subjects. The large collection of piano musical covers the major repertoire for virtuoso pianists of the late nineteenth and early twentieth centuries, including many first editions of music by composers of this period. Heavily emphasized are the works of Bach, Liszt and Busoni, with both original works for piano and transcriptions by Liszt and Busoni. (Excerpt from Pauline Shaw Bayne's book: The Gottfried Galston Music Collection and the Galston-Busoni Archive )
Important Note - Refer to the book The Gottfried Galston Music Collection and the Galston-Busoni Archive by Pauline Shaw Bayne for a complete description of the collection's contents.
Subject Terms
- Busoni, Ferruccio, 1866-1924.
- Galston, Gottfried, 1879-1950.
- Composers -- Germany.
- Composers -- Italy.
Contents List
| |
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Series I: Muscial Scores
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| Box
1
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Folders 1-60
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| Box
2
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Folders 61-120
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| Box
3
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Folders 121-180
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| Box
4
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Folders 181-229
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| Box
5
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Folders 230-280
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| Box
6
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Folders 281-340
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| Box
7
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Folders 341-400
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| Box
8
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|
Folders 401-470
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| Box
9
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|
Folders 471-520
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| Box
10
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|
Folders 521-590
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| Box
11
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Folders 591-690
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| Box
12
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Folders 691-780
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| Box
13
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Folders 781-870
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| Box
14
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|
Folders 871-950
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| Box
15
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Folders 951-1040
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| Box
16
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|
Folders 1041-1080
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| Box
17
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Folders 1081-1140
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| Box
18
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Folders 1141-1230
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| Box
19
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Folders 1231-1290
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| Box
20
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Folders 1291-1330
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| Box
21
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Folders 1331-1400
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| Box
22
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Folders 1401-1490
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| |
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Series II: Miniature Scores
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| Box
23
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Folder
1
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J.S. Bach
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| Box
23
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Folder
2
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B. Bartok
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| Box
23
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Folder
3
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L. Beethoven I
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| Box
23
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Folder
4
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L. Beethoven II
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| Box
23
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Folder
5
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L. Beethoven III
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| Box
23
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Folder
6
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H. Berloiz
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| Box
23
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Folder
7
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E. Bloch
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| Box
23
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Folder
8
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A. Brodin
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| Box
23
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Folder
9
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J. Brahms
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| Box
23
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Folder
10
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F. Bridge
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| Box
23
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Folder
11
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A. Bruckner
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| Box
23
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Folder
12
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P. Tschaikowsky I
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| Box
23
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Folder
13
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P. Tschaikowsky II
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| Box
23
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Folder
14
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A. Copland
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| Box
23
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Folder
15
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C. Debussy
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| Box
23
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Folder
16
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C. Franck
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| Box
23
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Folder
17
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G. Handel
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| Box
23
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Folder
18
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J. Hayden
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| Box
23
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Folder
19
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P. Hindemith
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| Box
23
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Folder
20
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A. Honegger
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| Box
23
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Folder
21
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E. Krenek
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| Box
23
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Folder
22
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F. Liszt
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| Box
23
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Folder
23
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G. Mahler
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| Box
23
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Folder
24
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F. Mendelssohn
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| Box
23
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Folder
25
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W.A. Mozart I
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| Box
23
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Folder
26
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W.A. Mozart II
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| Box
23
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Folder
27
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W.A. Mozart III
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| Box
23
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Folder
28
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W.A. Mozart IV
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| Box
23
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Folder
29
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M. Musorgskii
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| Box
23
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Folder
30
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M. Ravel
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| Box
23
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Folder
31
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M. Reger
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| Box
23
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Folder
32
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O. Respighi
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| Box
23
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Folder
33
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N. Rimsky-Korsakow
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| Box
23
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Folder
34
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A. Schoenberg
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| Box
23
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Folder
35
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F. Schubert
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| Box
23
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Folder
36
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R. Schumann
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| Box
23
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Folder
37
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G. Sgambati
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| Box
23
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Folder
38
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J. Sibelius
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| Box
23
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Folder
39
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A.S. Kriabin
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| Box
23
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Folder
40
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R. Strauss I
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| Box
23
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Folder
41
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R. Strauss II
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| Box
23
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Folder
42
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I. Stawinsky
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| Box
23
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Folder
43
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Volkmann
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| Box
23
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Folder
44
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R. Wagner
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| Box
23
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Folder
45
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R. Zandenai
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| |
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Series III: Other Papers
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| Box
24
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Folder
1
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I.A.1
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| Box
24
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Folder
2
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I.A.2
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| Box
24
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Folder
3
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I.A.3
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| Box
24
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Folder
4
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I.A.4
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| Box
24
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Folder
5
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I.B.1 (1-12)
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| Box
24
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Folder
6
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I.B.1 (13-26)
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| Box
24
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Folder
7
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I.B.1 (27-39)
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| Box
24
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Folder
8
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I.B.1 (40-53)
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| Box
24
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Folder
9
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I.B.2
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| Box
24
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Folder
10
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I.B.3 (1-18)
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| Box
24
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Folder
11
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I.B.3 (19-22)
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| Box
24
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Folder
12
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I.B.3 (23-37)
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| Box
24
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Folder
13
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I.C Photographs
|
| Box
24
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Folder
14
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I.D.1-4
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| Box
24
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Folder
15
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I.D.5-6
|
| Box
24
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Folder
16
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I.D.7-8
|
| Box
24
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Folder
17
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I.D.9-11
|
| Box
24
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Folder
18
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I.D.12-13
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| Box
24
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Folder
19
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I.D.14 (1-14.8)
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| Box
24
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Folder
20
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I.D.14 (14.9-17)
|
| Box
24
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Folder
21
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I.E.1-4
|
| Box
24
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Folder
22
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I.E.5-6
|
| Box
24
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Folder
23
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I.E.7-8
|
| Box
24
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Folder
24
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I.F.O
|
| Box
24
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Folder
25
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I.F.1
|
| Box
24
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Folder
26
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I.F.2
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| Box
24
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Folder
27
|
I.F.3
|
| Box
24
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Folder
28
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I.F.4
|
| Box
24
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Folder
29
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I.F.5
|
| Box
24
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Folder
30
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I.F.6
|
| Box
24
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Folder
31
|
I.F.7
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| Box
24
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Folder
32
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I.F.8
|
| Box
24
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Folder
33
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I.F.9
|
| Box
24
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Folder
34
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I.G.1-2
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| Box
24
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Folder
35
|
I.G.3
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| Box
24
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Folder
36
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I.G.4
|
| Box
24
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Folder
37
|
I.G.5
|
| Box
24
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Folder
38
|
I.G.6
|
| Box
24
|
Folder
39
|
I.G.7
|
| Box
24
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Folder
40
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I.G.8
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| Box
24
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Folder
41
|
I.G.9
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| Box
24
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Folder
42
|
H.I.
|
| Box
24
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Folder
43
|
I.I.
|
| Box
24
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Folder
44
|
II.A.
|
| Box
24
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Folder
45
|
II.B.1
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| Box
24
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Folder
46
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II.B.2
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| Box
24
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Folder
47
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II.B.3
|
| Box
24
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Folder
48
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II.B.4
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| Box
24
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Folder
49
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II.B.5
|
| Box
24
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Folder
50
|
II.B.6
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| Box
25
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Folder
1
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II. B. 7 Katalog Bibliothek (Two Volumes)
|
| Box
25
|
Folder
2
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II. B. 8 Methode Galston by Jeanne Alvin
|
| Box
25
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Folder
3
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II. B. 9 Studienbuch by Gottfried Galston
|
| Box
25
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Folder
4
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II. C. 1: 19 Photographs 1-19
|
| Box
25
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Folder
5
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II. C. 20: 45 Photographs 20-45
|
| Box
25
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Folder
6
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II. D. 1 Galston Program Scrapbook
|
| Box
25
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Folder
7
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II. E. 1 Five Bound Volumes (Bach, Beethoven, Chopin, Liszt, Brahms)
|
| Box
26
|
Folder
1
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II. E. 2
|
| Box
26
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Folder
2
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II. F. 1
|
| Box
26
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Folder
3
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II. F. 2
|
| Box
26
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Folder
4
|
II. F. 3
|
| Box
26
|
Folder
5
|
II. F. 4
|
| Box
26
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Folder
6
|
II. F. 5
|
| Box
26
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Folder
7
|
II. F. 6
|
| Box
26
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Folder
8
|
II. F. 7
|
| Box
26
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Folder
9
|
II. F. 8
|
| Box
26
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Folder
10
|
II. F. 9
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| Box
26
|
Folder
11
|
II. F. 10
|
| Box
26
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Folder
12
|
II. F. 11
|
| Box
26
|
Folder
13
|
II. F. 12
|
| Box
26
|
Folder
14
|
II. F. 13
|
| Box
26
|
Folder
15
|
II. F. 14
|
| Box
26
|
Folder
16
|
II. G. 1
|
| Box
26
|
Folder
17
|
II. G. 2
|
| Box
26
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Folder
18
|
II. G. 3
|
| Box
26
|
Folder
19
|
II. G. 4
|
| Box
26
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Folder
20
|
II. G. 5
|
| Box
26
|
Folder
21
|
II. G. 6
|
| Box
26
|
Folder
22
|
II. G. 7
|
| Box
26
|
Folder
23
|
II. G. 8
|
| Box
27
|
Folder
1
|
III. A. 1
|
| Box
27
|
Folder
2
|
III. A. 2
|
| Box
27
|
Folder
3
|
III. A. 3
|
| Box
27
|
Folder
4
|
III. A. 4
|
| Box
27
|
Folder
5
|
III. A. 5
|
| Box
27
|
Folder
6
|
III. B. 1
|
|